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All hell breaks loose when Arnold Schwarzenegger battles the ultimate evil in this chilling supernatural action thriller. When a burned-out former New York City cop named Jericho (Schwarzenegger) is assigned to security detail for a mysterious and foreboding stranger (Gabriel Byrne), Jericho thwarts an improbable assassination attempt. Throughout the ensuing investigation, he and his partner (Kevin Pollak) save the life of the beautiful and terrified Christine York (Robin Tunney), whose destiny involves death, the devil and the fate of mankind. Now it’s up to Jericho to save the girl, the world and his own soul as he comes face to face with his most powerful enemy ever!
After a two-year hiatus that included recovery from heart surgery, Arnold Schwarzenegger returned to the big screen in November 1999 with End of Days, a Thanksgiving turkey if ever there used to be one. Overcooked and bloated with stuffing, this ludicrous thriller attached itself to the end-of-the-millennium furor that kicked in a year too early. A prologue begins in 1979 with panic in the Vatican when a comet signals the birth of a kid who will, 20 years later, transform the chosen bride of Satan, destined to conceive the devil’s spawn between 11 p.m. and middle of the night on December 31, 1999. It’s hard to make a decision who has the more thankless role–Robin Tunney as Satan’s would-be bride, or Schwarzenegger as Jericho Cane, the burned-out alcoholic bodyguard assigned to offer protection to the girl from Satan, billed as “The Man” and played with cheesy menace (and an inconsistent variety of metaphysical manifestations) by Gabriel Byrne.
With kitschy character names like Jericho and Chicago (Arnie’s partner, played by Kevin Pollack) and lapses in logic that any 5-year-old could spot, End of Days is a loud, aggravating movie that would be entertaining if it were intended as comedy. But Schwarzenegger and director Peter Hyams approach the story as an earnest tale of redemption and tested faith, delivering a ridiculous climax full of special effects and devoid of dramatic affect. You’re left instead to savor the verbal and physical sparring between Satan and Jericho, resulting in the most thorough pummeling Schwarzenegger’s ever endured onscreen. Of course he eventually gets his payback, just in time for New Year’s Eve. Perhaps he used to be touched by an angel. –Jeff Shannon