Amazon.com Price: $3.99 (as of 22/01/2022 07:12 PST- Details)
From Roland Emmerich, director of THE DAY AFTER TOMORROW and INDEPENDENCE DAY, comes the ultimate action-adventure film, exploding with groundbreaking special effects. As the world faces a catastrophe of apocalyptic proportions, cities collapse and continents crumble. 2012 brings an end to the world and tells of the heroic struggle of the survivors. Starring John Cusack, Chiwetel Ejiofor, Amanda Peet, Woody Harrelson and Danny Glover.
Now this is how you destroy the world. Roland Emmerich’s 2012 pounces on a Nostradamus-style loophole in the Mayan calendar and rams the apocalypse through it, gleefully conjuring up an enormous amount of Saturday-matinee fun in the process. A scientist (Chiwetel Ejiofor) detects shifting continental plates and sun flares and realizes that this foretells the imminent destruction of the planet. Just as the molten lava is about to hit the fan, a novelist (John Cusack) takes his kids on a go back and forth to Yellowstone; later he’ll hook up with his ex (Amanda Peet) and her new boyfriend (Tom McCarthy) in a global journey toward safety. If there is any safety. The suitably hair-raising plot lines are punctuated–steadily, people, steadily–by visions of mayhem around the world: the Vatican falls over, the White House is clobbered (Emmerich’s Independence Day was not enough on that score), and the California coastline dives into the Pacific Ocean. Unlike other action directors we could name, Emmerich if truth be told understands how to mean you can see and drink in these vast special-effects vistas–and they are unbelievable. He also honors the old Irwin Allen disaster-movie tradition by if truth be told shelling out for good actors. Cusack and Ejiofor are convincing even in the cheesiest material; toss in Danny Glover (the U.S. president), Woody Harrelson (a nut-bar conspiracy-theorizing radio host), Thandie Newton, and Oliver Platt, and you have got a very watchable batch of people. Emmerich hasn’t developed an ear for dialogue, even at this stage in his career, and the final act goes on a bit too long. This can be a very silly movie, but if you have got a weakness for B-movie energy and hairbreadth escapes, 2012 delivers moderately a bit of both. –Robert Horton
Stills from 2012 (Click for larger image)